Tribeca 2022: Cinema Femme interviews Alex Heller about her feature debut “The Year Between”

by Rebecca Martin

June 15, 2022

2 min read

Share this post

*The interview starts 10 minutes in.

Rebecca Martin, Managing Editor of Cinema Femme talks to Alex Heller about her feature film debut “The Year Between” and how it’s so important for representation of this mental illness onscreen. Make sure to catch the final screening of this film or watch online: https://tribecafilm.com/films/year-between-2022

Alex Heller is a bipolar filmmaker from Chicago. She is a 2020 Sundance Feature Film fellow and a 2018 alum of the Tribeca Film Institute Network. Vulture named Alex a “Rising Filmmaker Every Cinephile Should Have on Their Radar” in 2018. She creates mental illness memes as @thementallytrillest on Instagram.

Forced to return home from college after her erratic behavior alienates everyone around her (namely her amusingly panicked roommate), Clemence begrudgingly begins an undesired new chapter in the suburbs, hell-bent on defying her Mom (J. Smith-Cameron), Dad (Steve Buscemi), younger siblings, therapist—and a diagnosis of bipolar disorder. But as the realization of her situation begins to set in, Clemence pushes herself to maintain a strict medication schedule, find a job and show up to her appointments, all whilst maintaining a bitingly quick intellect and antagonizing, razor-sharp wit that keeps everyone around her on their toes.

In Alex Heller’s impressive feature debut, The Year Between, that she wrote, directed and stars in, we are introduced to a truly one-of-a-kind character. Heller’s depiction of a young adulthood stalled from mental illness is one that alternates between laugh out loud hysterical to painfully visceral in its disturbing authenticity. From parents and siblings that vacillate between lovingly pushing her to get better to siblings that just want her to act “normal” to a new love interest that is struggling in his own right, The Year Between is an exciting and hugely entertaining tale about learning to adapt to an unexpected and often painful new phase. —Liza Domnitz (Tribeca 2022)

Starring: Alex Heller, J. Smith-Cameron, Steve Buscemi, Wyatt Oleff, Emily Robinson, Kyanna Simone, Rajeev Jacob, Waltrudis Buck

Share this post

Rebecca Martin

Rebecca Martin is the Managing Editor of Cinema Femme magazine and the Festival Director of Cinema Femme Short Film Fest. She founded her publication in 2018 because she wanted to create a platform for female voices in the film community. She has hosted film screenings in Chicago, led virtual panel discussions, Q&As, is the Cinema Femme Short Films Director, and has covered festivals like the Chicago International Film Festival, Sundance, Tribeca, and the Bentonville Film Festival.

Recommended For You

Explore our latest articles and updates.

Interviews, Uncategorized

9 min read

The Cult of Female Friendship: Taylor Dupuis on “Where the Hell is Anna?”

by Megan Henderson

September 26, 2026

All women are familiar with the complexities that come along with female friendships. On one hand, they can be magical, sparkly, and more valuable than any romantic relationship. But sometimes,

Uncategorized

9 min read

Fear the Living: Dave Boyle and Moeka Hoshi on “Never After Dark”

by Megan Henderson

September 25, 2026

As a society, we’re familiar with ghost stories. When we turn to supernatural films, the ones filled with poltergeists and phantoms, we typically know what we are getting into. There’s

Documentaries, Interviews, Profile

5 min read

“Playing with Fire”: Annie Sprinkle and Beth Stephens Turn Catastrophe Into Ecosexual Ritual

by Rebecca Martin

September 25, 2026

This is a preview piece ahead of the Music Box Theatre screening of “Playing with Fire: An Ecosexual Emergency” on Tuesday, September 29; the full feature interview will follow closer

Stay Updated on Our Film Festival

Subscribe to our newsletter for the latest festival updates, film submissions, and special announcements.

By clicking Join Us, you agree to our Terms and Conditions.

Create a free account, or log in.

Gain access to read this article, plus limited free content.

Yes! I would like to receive new content and updates.

Discover more from Cinema Femme

Subscribe now to keep reading and get access to the full archive.

Continue reading