
Grace Glowicki On Her Original Vision of Frankenstein in “Dead Lover”
About a year ago, I sat down for what was probably my sixth movie of the day at the 2025 Sundance Film Festival. My eyes
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Read our most recent issue with stories that validate, inspire, and change the way we see— and make — film.
About a year ago, I sat down for what was probably my sixth movie of the day at the 2025...
As I spent twelve hours in the hospital last week, waiting for my dad to recover from his long-belated knee...
As someone who was born four decades ago, any fragments of home movie footage that exist from my childhood—most of...
This is a living record of underrepresented brilliance in film. Dive into our archive of stories and hear from bold voices that paving the industry forward.
6 min read
by Marjorie H. Morgan
November 16, 2018
1 min read
by cinemafemme
November 10, 2018
Thank you all who came out last tonight to our launch at the Music Box Theatre! Here are some photos for the event. If you have any photos you took
3 min read
by Rebecca Martin
November 9, 2018
3 min read
by Rebecca Martin
November 9, 2018
Statistics about Female Film Critics A September 2018 report from Dr. Stacy L. Smith and the USC Annenberg Inclusion Initiative (and conducted with Time’s Up Entertainment) used reviews of 300 top-grossing
7 min read
by Amy Wasney
November 8, 2018
5 min read
by Rebecca Martin
November 8, 2018
5 min read
by Rebecca Martin
November 8, 2018
5 min read
by Rebecca Martin
November 8, 2018
I had the pleasure of interviewing Laura Moss, NYC-based filmmaker. I met Laura last year at the Chicago Critics Film Festival, where I saw her short film “Fry Day.” I
4 min read
by Stephanie Dykes
November 8, 2018
7 min read
by Emily Jacobson
March 20, 2026
About a year ago, I sat down for what was probably my sixth movie of the day at the 2025 Sundance Film Festival. My eyes were burning, my brain was
22 min read
by Matt Fagerholm
March 13, 2026
As I spent twelve hours in the hospital last week, waiting for my dad to recover from his long-belated knee replacement surgery, I found a liberating mode of escapism in
14 min read
by Matt Fagerholm
March 9, 2026
As someone who was born four decades ago, any fragments of home movie footage that exist from my childhood—most of which was recorded on a cumbersome camcorder borrowed from my
17 min read
by Matt Fagerholm
March 8, 2026
If she could, Amber would be a wall painted nondescript grey. Paint isn’t like wallpaper. It can’t be removed completely. No matter how much sanding down, they would still be
14 min read
by Rebecca Martin
March 3, 2026
In conversation with Elizabeth Stam, Wendy Robie, Brookelyn Hebert, Mary Tilden, and Heather Kuhlmann. Some films move like a straight line. “Hekla doesn’t. It rushes, swerves, collides—then bursts into color
17 min read
by Matt Fagerholm
February 19, 2026
The sun is just beginning to set as the twenty-something characters in Jessica’s Barr’s mesmerizing new film, “The Plan,” start to congregate in an East LA apartment. The calmness of
8 min read
by Rebecca Martin
February 10, 2026
“The Way of the Whale” tells the untold story of an extraordinary interspecies bond — a connection so profound it feels like love — between humans and gray whales in
10 min read
by Rebecca Martin
February 10, 2026
My discussion with Swedish-native Malin Barr at Sundance quickly evolved beyond a standard interview. By the time we secured coffee amidst the festival’s intensity, the conversation felt like a continuation
7 min read
by Rebecca Martin
February 9, 2026
Cinema Femme is thrilled to reconnect with director, writer, and actress Gabriela Ortega on the occasion of her latest short film, “Marga en el DF”, which makes its World Premiere
20 min read
by Veronica Miles
October 10, 2025
In 2019, I crashed the Cannes Film Festival. Well — not really. I went legitimately with a pass I applied for (if you work in the film industry, you usually
11 min read
by Matt Fagerholm
September 30, 2025
“If you can’t play with the language, you are not reinventing the language.” This is what Argentine director Gaspar Noé told me when I interviewed him fifteen years ago about
12 min read
by Matt Fagerholm
July 8, 2025
I was ten years old when Danny DeVito’s euphoric screen adaptation of Roald Dahl’s 1988 novel Matilda arrived in theaters. I had read the book so many times that the
14 min read
by Matt Fagerholm
June 24, 2025
As annoyed as I was about Barry Jenkins, one of the greatest filmmakers working today, recently helming a prequel to the worst Disney remake in history, the Oscar-winning director of
41 min read
by Matt Fagerholm
May 23, 2025
It’s difficult to put into words the gratitude I have for Sabrina S. Sutherland. The collaborations she forged with filmmaker David Lynch, particularly over the last decade, have transformed my
15 min read
by Emily Jacobson
May 20, 2025
Hannah Welever is a queer filmmaker based in New York, but her roots are Midwestern. In her newest short, “Soirée,” Welever creatively holds space for women’s bodies, and how often
21 min read
by Anna Pattison
May 1, 2025
Samantha (Sam) Cole returns to her childhood home when her mother suddenly passes. In place of familiar spaces and memories, Sam finds only uneasiness and confusion. Things are missing, the
21 min read
by Anna Pattison
April 18, 2025
From writer and director Florence Bouvy, “Where We Stay” is a beautiful and touching examination of human connection and unspoken truths. The film was partially inspired by Florence’s own story
10 min read
by Peyton Robinson
April 15, 2025
Cheryl Dunye is best known for her iconic film “The Watermelon Woman” — a tale of an aspiring Black lesbian filmmaker (played by Dunye herself) who seeks to learn more
14 min read
by Matt Fagerholm
March 9, 2026
As someone who was born four decades ago, any fragments of home movie footage that exist from my childhood—most of which was recorded on a cumbersome camcorder borrowed from my
4 min read
by Matt Fagerholm
February 13, 2026
There is no filmmaking duo whose work I await with greater anticipation than Kelly O’Sullivan and Alex Thompson. In 2019, Thompson made his debut feature, “Saint Frances,” written by and
16 min read
by Matt Fagerholm
January 28, 2026
Sundance has always been a festival I had admired at a distance. How Robert Redford had gone about using his platform to launch the careers of countless filmmakers for over
14 min read
by Matt Fagerholm
November 4, 2025
I went into David Michôd’s biopic “Christy” knowing nothing about its titular boxer. I knew I would be interviewing the film’s real-life subject, Christy Salters Martin, the following morning, and
15 min read
by Emily Jacobson
May 20, 2025
Hannah Welever is a queer filmmaker based in New York, but her roots are Midwestern. In her newest short, “Soirée,” Welever creatively holds space for women’s bodies, and how often
21 min read
by Anna Pattison
April 18, 2025
From writer and director Florence Bouvy, “Where We Stay” is a beautiful and touching examination of human connection and unspoken truths. The film was partially inspired by Florence’s own story
10 min read
by Peyton Robinson
April 15, 2025
Cheryl Dunye is best known for her iconic film “The Watermelon Woman” — a tale of an aspiring Black lesbian filmmaker (played by Dunye herself) who seeks to learn more
8 min read
by Rebecca Martin
November 4, 2024
“This movie that saved my life also holds a complicated and controversial history in the queer film canon. I’m not seeking to change anyone’s mind with this film, but to
4 min read
by Rebecca Martin
July 3, 2024
I had the opportunity to speak with Jac Cron about her feature debut “Chestnut.” We talked about how she came to this project, and how her time after college was
5 min read
by Emily Jacobson
January 25, 2024
On Friday, January 19th, the Utah House of Representatives voted to advance a restrictive anti-trans bill outlawing trans people from using bathrooms aligning with their gender identity. It will now
5 min read
by Emily Jacobson
January 23, 2024
The decade between 19 and 29 is perhaps the most tumultuous time of anyone’s life. Each year brings on great change as you transition from adolescence to a fully formed
5 min read
by Emily Jacobson
January 23, 2024
As children, there is little we perceive about the outside world that doesn’t directly impact our own inner world. Sacrifices made by parents go unnoticed. The danger we put ourselves
5 min read
by Peyton Robinson
January 20, 2024
Writer-director Josh Margolin’s feature debut, “Thelma,” is a splendid gem of hilarity and heart. Thelma (June Squibb) is a 90 year old woman, who after falling victim to a phone
8 min read
by Rebecca Martin
November 29, 2023
“We know that our rising tide lifts all boats. We are who we depend on, so we create spaces where we can uplift each other. This is not a place
4 min read
by Peyton Robinson
October 22, 2023
“Paradise is Burning” screened as part of The 59th Chicago International Film Festival on October 18, 2023, as part of the International Competition. Writer-director Mika Gustafson’s “Paradise is Burning” is
4 min read
by Emily Jacobson
October 19, 2023
“Departing Seniors” screened opening night of The 59th Chicago International Film Festival on October 11, 2023. The final week of senior year of high school can be full of surprises.
5 min read
by Peyton Robinson
October 19, 2023
“Sisterhood” screened as part of The 59th Chicago International Film Festival, learn more about this film! Nora El Hourch’s feature debut “Sisterhood” (french title: “HLM Pussy”) is an emboldened dossier
4 min read
by Emily Jacobson
October 17, 2023
“The Beautiful Summer” is screening this afternoon at AMC NEWCITY at 2:30 PM as part of the Women in Cinema and Outlook program. Adolescence is universal. No matter the time
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About a year ago, I sat down for what was probably my sixth movie of the day at the 2025 Sundance Film Festival. My eyes

As I spent twelve hours in the hospital last week, waiting for my dad to recover from his long-belated knee replacement surgery, I found a

As someone who was born four decades ago, any fragments of home movie footage that exist from my childhood—most of which was recorded on a

For me, movies and meaning are inseparable; I process my daily life through this art form. The cinema is not just entertainment—it’s a vital lens

If she could, Amber would be a wall painted nondescript grey. Paint isn’t like wallpaper. It can’t be removed completely. No matter how much sanding

In conversation with Elizabeth Stam, Wendy Robie, Brookelyn Hebert, Mary Tilden, and Heather Kuhlmann. Some films move like a straight line. “Hekla doesn’t. It rushes,

About a year ago, I sat down for what was probably my sixth movie of the day at the 2025 Sundance Film Festival. My eyes

As I spent twelve hours in the hospital last week, waiting for my dad to recover from his long-belated knee replacement surgery, I found a

As someone who was born four decades ago, any fragments of home movie footage that exist from my childhood—most of which was recorded on a

For me, movies and meaning are inseparable; I process my daily life through this art form. The cinema is not just entertainment—it’s a vital lens

If she could, Amber would be a wall painted nondescript grey. Paint isn’t like wallpaper. It can’t be removed completely. No matter how much sanding

In conversation with Elizabeth Stam, Wendy Robie, Brookelyn Hebert, Mary Tilden, and Heather Kuhlmann. Some films move like a straight line. “Hekla doesn’t. It rushes,

About a year ago, I sat down for what was probably my sixth movie of the day at the 2025 Sundance Film Festival. My eyes

As I spent twelve hours in the hospital last week, waiting for my dad to recover from his long-belated knee replacement surgery, I found a

As someone who was born four decades ago, any fragments of home movie footage that exist from my childhood—most of which was recorded on a

For me, movies and meaning are inseparable; I process my daily life through this art form. The cinema is not just entertainment—it’s a vital lens

If she could, Amber would be a wall painted nondescript grey. Paint isn’t like wallpaper. It can’t be removed completely. No matter how much sanding

In conversation with Elizabeth Stam, Wendy Robie, Brookelyn Hebert, Mary Tilden, and Heather Kuhlmann. Some films move like a straight line. “Hekla doesn’t. It rushes,