CUSP: Q&A with directors Parker Hill + Isabel Bethencourt and more!

by Rebecca Martin

October 25, 2021

2 min read

Share this post

Filmmakers Parker Hill and Isabel Bethencourt join their subjects (Autumn and Brittney), to talk about their coming of age documentary CUSP. Cinema Femme Managing Editor Rebecca Martin moderates the Q&A. We discuss several important topics including teenage life, rape culture, how it’s “ok to not be ok”, and the power of Lil Peep songs. Coming to theaters on 11/12 and Showtime on 11/26.

During a road trip across America, first-time filmmakers Parker Hill and Isabel Bethencourt meet three spirited teenage girls – Brittney, Aaloni and Autumn – at a gas station in small-town Texas and are inspired to document their carefree summers. This crew of two with only a camera, microphone and a $10 flashlight for lighting soon discovers a much different story. As they film the teens’ activities from bonfire parties to bedroom hangouts, discussions around sex, trauma, agency and consent unfold with candor. Shot verité style, the documentary captures intimate moments of female bonding and gives a candid look at the dark realities that young women face today. In CUSP, Hill and Bethencourt reveal a true-to-life coming-of-age tale and provide an unfiltered snapshot of teenage life in America. Shot in vérité style, Cusp captures authentic moments of female friendship while examining what it means to grow up in a culture of toxic masculinity. The film shows an unfiltered look at what it is like to be a teenage girl in the US and the filmmakers set out to make a movie about girls and girlhood with no judgments attached. The three young girls featured really show not only what it is like to be a young woman but the strong bond that has developed between them as friends and how the look out for one another when nobody else does. Though the girls’ experiences are completely unique to their upbringing, Cusp is also a strikingly universal coming-of-age tale — and true-to-life, at turns funny, tragic, complicated, and stirring.

Trailer: https://youtu.be/QNjk85n_9g4

Lil Peep “Beamer Boy”: https://youtu.be/fePnUenEZPk

Share this post

Rebecca Martin

Rebecca Martin is the Managing Editor of Cinema Femme magazine and the Festival Director of Cinema Femme Short Film Fest. She founded her publication in 2018 because she wanted to create a platform for female voices in the film community. She has hosted film screenings in Chicago, led virtual panel discussions, Q&As, is the Cinema Femme Short Films Director, and has covered festivals like the Chicago International Film Festival, Sundance, Tribeca, and the Bentonville Film Festival.

Recommended For You

Explore our latest articles and updates.

Chicago, Indie Films, Interviews

14 min read

The Women Behind “Hekla”: Crafting Chaos, Color, and the Courage to Be Seen

by Rebecca Martin

March 3, 2026

In conversation with Elizabeth Stam, Wendy Robie, Brookelyn Hebert, Mary Tilden, and Heather Kuhlmann. Some films move like a straight line. “Hekla doesn’t. It rushes, swerves, collides—then bursts into color

Film Festivals, International Films

8 min read

Rotterdam 2026: Sisters, Spirits and Invented Truths: Itonje Søimer Guttormsen on Her Sophomore Feature “Butterfly”

by Davide Abbatescianni

February 22, 2026

Premiering in the Big Screen Competition at IFFR (29 January–8 February), “Butterfly” marks Itonje Søimer Guttormsen’s return to feature filmmaking five years after “Gritt.” Set in Gran Canaria, the film

Short Films, Sundance

6 min read

Sundance 2026: Lindsey Normington on Role in Short “Together Forever”

by Anna Pattison

February 20, 2026

The logline, “A Mormon couple ties the knot,” already had me invested but reading the synopsis sealed the deal: “It’s wedding day at the Mormon Temple. For wide-eyed Sydney, it’s

Stay Updated on Our Film Festival

Subscribe to our newsletter for the latest festival updates, film submissions, and special announcements.

By clicking Join Us, you agree to our Terms and Conditions.

Discover more from Cinema Femme

Subscribe now to keep reading and get access to the full archive.

Continue reading