Anya Camilleri’s powerful short film ‘A Girl of No Importance’ brings awareness to human trafficking and sex slavery

In March, I had the opportunity to interview British filmmaker Anya Camilleri. Camilleri’s award-winning short film “A Girl of No Importance,” made in partnership with agency Stella’s Voice, brings awareness to human trafficking and sex slavery. “A Girl of No Importance” is about a teenage prostitute who escapes from her traffickers but finds herself lost in Rome. Camilleri has also written the feature film “Highway of Love,” also based on true stories.

Pamela B. Green’s documentary honors filmmaking pioneer Alice Guy-Blaché

Meeting Pamela, I could feel the force of nature of Alice Guy-Blaché through her passionate words and her film. It’s like Alice called out to Pamela to introduce her to our modern-day world, and she answered the call. The film gave me and the rest of the viewers of the screening such a gift to meet Alice and fall in love with her during the process.

Why saying “Get off the internet” is terrible advice for victims of online harassment

I spoke with actor, writer, and intimacy coordinator Michela Carattini about her film “Remote Access,” which she cowrote and coproduced with screenwriter Leanne Mangan. Penelope Berkemeier directed the film. Michela, the daughter of a Panamanian-American military intelligence officer and an Australian ballerina, grew up in Germany, where she developed an interest in languages, obscure autobiographies, and criminal behavior. Michela’s award-winning storytelling is driven by her search for world’s compassion and intelligence.

International Women’s Day: Storytellers

Personally, I’d like to think that the changes in my life stem from my passions. I’m passionate about women’s stories through the lens of film. It is important that these stories are seen and heard. To celebrate International Women’s Day, I’d like to highlight some films directed by women who are great storytellers.

A conversation between Cinema Femme founder Rebecca Martin and filmmaker Meryl Goldsmith

“Sometime during that process, Michael Radner, he’s my godfather, he told me that Lisa D’Apolito was making “Love, Gilda” (2018). Once I finally had a chance to meet Lisa, I was really relieved, because Gilda’s story was a lot more personal. It was my role to make sure that number one, Gilda’s portrayed in a positive light, and thinking of things as a friend. So I met her and saw the assembly cut and thought, she knows what she’s doing, and she cared about how Gilda was portrayed. She would ask herself with every decision how Gilda would have felt about it. And Lisa has a background in advertising and production, so she did know film, and made everything look and sound great.”